The Music

MUSIC OF THE MONSTER MEETING

The Diggers’ 1851 Monster Meeting has been celebrated in music and song with a national song competition, two gala concerts in Castlemaine and production of a double CD. Jan Wositzky explains how they came about.

After one of the earliest Monster Meeting celebrations I attended, we were having a beer and a BBQ at Chewton’s Red Hill Hotel, and in conversation with (organiser) John Ellis, I suggested, ‘You should run a song writing competition about this.”  John replied, “I might get back to you on that,” and he did. And so the Monster Meeting Song Award was organised. 

In 2010 a call was put out Australia wide. Most of the 38 entries came from local people. The judges were me, pianist Charles Affleck and melodic metal musician and country music fan David Thrussell. There was a lot we did not agree on and we were occasionally amazed that another may like a song we thought was a real non-goer. However, we managed to get it down to a short list for an awards night at Castlemaine’s Theatre Royal in December 2010. The grand concert featured the Monster Meeting Band, special guest singer-songwriter Shane Howard of Goanna/Solid Rock fame, the songwriters, a choir and special guest Jonathan Riddnell from ABC radio Bendigo (he was there to interview Governor La Trobe played by Ian Scott). The show was scripted by me. It was a huge success.

The night was a cavalcade of moving songs, and again we three judges had quite some difficulty coming to agreement. When we finally did – with the pressure of the audience waiting in the theatre – the three winners were:

1. Thirty Shillings a Month (Lyric & music Martin McKenna)
2. Father Dear (Lyric Frank Jones. Music Frank Jones & Christy Wositzky-Jones)
3. The Cards That Fell (Lyric & music Jamie Roberts)

Then some luck came into it. Margaret Rich from the Ballarat Reform League (BRL) approached the Chewton Domain Society and said she’d noticed that we were a mob with creative ideas, and offered us $20,000 to explore any ideas we might have had. And so was born the double Monster Meeting CD, with funding from the Ballarat Reform League and government sources and beautiful packaging designed by graphic artist Geoff Hocking. It was launched by Former Governor of Victoria, John Landy, at a Gala Concert in the Theatre Royal in December 2012. 

All the details about the CDs are included in the liner notes (reprinted below): who wrote and played, song lyrics, bios, etc. CD disk 1 has the songs, disk 2 has the story, told like a radio history program. Since then the songs have been sung at the Monster Meeting annual celebrations and also in my theatre show A Bundle of Sticks.

The 13 contemporary songs on disk 1 of the CD and the historical stories on disk 2 tell the stories of the thousands of young, enterprising and adventurous men and women who came to Forest Creek to dig for gold, the democratic mineral. In the process they turned society upside down and unearthed democracy.

Most Australians know the story of the 1854 Eureka Stockade. Not so many know that Eureka had its beginnings in the 1851 Monster Meeting of Diggers at Forest Creek, when 15,000 gold diggers gathered to defy the government plans to double the cost of their gold licence. They set in motion a democratic protest movement that spread across the goldfields to the Red Ribbon Rebellion in Bendigo in 1853 and finally to the Eureka Rebellion in Ballarat in 1854. The individual gold diggers united to become the Diggers, a political force of men who understood that their strength lay in unity, and they became a political force that helped to set a path to democracy in Australia.

Disc One

THE SONGS

1    We Are Starting Something Here
2    The Cards That Fell
3    Thirty Shillings A Month
4    Fool’s Gold
5    The Ballad Of Forest Creek
6    More In Our Hearts Than Gold
7    Father Dear
8    Gather ’Round The Flag
9    Three Quid For The Privilege
10   We Stand For Our Rights
11   Good Time A Coming
12   The Quartz And The Clay
13   The Monster Meeting

Disc Two

THE STORY

Part One: The Monster Meeting Today
Part Two: The 1851 Gold Rush
Part Three: The Monster Meeting 1851
Part Four: Bendigo and Ballarat
Part Five: The Monster Meeting Legacy

PURCHASE MONSTER MEETING CD >


We Are Starting Something Here

(Lyric & music: Richard Lewis)

Chorus We are starting something here
Too right we’re starting something
It might take a month, might take a year
We are ready for the fight
We are starting something here
Too right we’re starting something
And if they choose to interfere
There’s a fire will ignite
We are starting something here 

Starting tonight.

You can break a twig in half
With your finger and your thumb
But when a bunch is tied together
You can try ’til kingdom come
We will not bend
We will not break
It’s more than money that’s at stake
It’s our rights
And we will fight.

We are starting something here
Too right we’re starting something
And if they choose to interfere
There’s a fire will ignite
We are starting something here 

Starting tonight.

Men are digging their own grave
In this hell of mud and dust
Still, you expect us to be slaves
To a law that is unjust
We will not bend
We will not break
We’ve had as much as we will take
And now it’s time
To stop this crime.

We are starting something here
Too right we’re starting something
And if they choose to interfere
There’s a fire will ignite
We are starting something here 

Starting tonight.

Epilogue
They will remember
In years to come
The 15th of December, 1851.


The Cards That Fell

(Lyric & music: Jamie Roberts)

We anchored down in Hobson’s Bay
We crowded the deck in the pouring rain
Along the jetty drunk watermen sneered
We held their gaze as we swallowed our fear.

Through the mud to busy Bourke Street
We imagined the gold right under our feet
We listened to stories of great fortunes made
To Forest Creek our plans were laid.

We walked together into the unknown
United in strength, no man alone
There’s gold to be won boys and we are free men
The cards drawn today may never fall again.

We worked our claim and we washed our stuff
We saw lady madness masquerading as luck
Plenty of diggers got dragged away
They were caught with no License, and taken in chains.

Then came word of the government plan
To rob us for mining on Victorian land
Double the License you’ll pay it you’ll see
Proclaiming it Law is just a formality.

We went on a Monday to Shepherds Hut
The men who were talking spoke from their gut
The crowd that was gathered was like a monster force
One those in power could never ignore.

We walked together into the unknown
United in strength, no man alone
There’s gold to be won boys and we are free men
The cards drawn today may never fall again.

The news came from Melbourne, their plan was withdrawn
We called it a victory but we had been warned
One voice may be silenced, one man may be crushed
But a thousand calls for justice can never be hushed.

We walked together into the unknown
There’s gold to be won boys and we are free men
The cards drawn today may never fall again.

We walked together into the unknown
United in strength, no man alone
There’s gold to be won boys and we are free men
The cards drawn today may never fall again.


Thirty Shillings a Month

(Lyric & music: Martin McKenna)

Thirty shillings a month to dig for gold
In the dust and the heat and the rain and the cold
While the squatter pays, I understand
Around the same for a swag of land.

For ten quid a year they give him a vote
He has a say in what we have to pay
And they lock up the land from folks such as us
Time to stand up for what’s right and what’s just.

Some diggers strike riches, but most strike it tough
Now the government claims that we don’t pay enough
So they’ll double the fee. It’s easy you see
To keep us in chains while the squatter rides free.

When we came to this land we hoped we’d find
Old servant and master roles left far behind
But the gentry and crown are eager to see
Us kept in our place, so they’ll double the fee.

So come gather boys, at Forest Creek
Time to be bold, there’s no place for the meek
We’ll rally for justice and what is our right 

Victory is ours’ if we diggers unite.


Fool’s Gold

(Lyric & music: Peter Kenyon)

If you make some money
The taxman comes
And shoves you in the creek
Whatever don’t get wet
That’s the part you keep.
Same with a nugget
Or the gold dust
Sewn inside your coat
If it sinks it’s theirs
You can keep what floats.

But we’ll pay no tax
When the new one’s double-fold
We ain’t breakin’ our backs
Workin’ for fool’s gold.

If you make no money
The government men
Still demand their cut
With a riot act
Or a rifle butt
When your worldly goods
Are a stake and tent
A pan and a pickaxe
It’s a travesty

That the rich call tax.
And we’ll be no slaves
And we won’t back down or fold
We ain’t diggin’ our graves
Ain’t workin’ for fool’s gold.

I hear that in Geelong
There’s factories running out of men
They’re out to drive us back to town
Drive us down again.

But they’ll get no tax
No blood from shale and stone
We ain’t breakin’ our backs
Workin’ for fool’s gold.
We ain’t come this far
To all fall down and fold
We ain’t breakin’ our backs
Ain’t  workin’ for fool’s gold.


 The Ballad of Forest Creek

(Lyric & music: Patrick Killeen)

I write this letter to you though you told me not to come
There’s nothing left in our fair green land that took from me, my son
I’m poor here too, a slave to tax, thirty shillings just to claim
A month of heat and dust and sweat, yeah the Government’s to blame.

You’d never dream a place so dry, a tinderbox all around
But a man can dig and pan and work; there’re riches to be found
The natives think that we are mad, they think a man a fool
To dig this golden metal, too soft for any tool.

God made this land to test the faithful, but maybe there’s something more
There’re rebels here, and freedom too, as rich as any ore.

A letter came, passed to my claim, it’s worn by many hands
A rumour on the evening winds, a new tax on our lands
Doubled License. Doubled fee. That’s sixty now per moon
The traps are out but a meeting’s called and it comes none too soon.

God made this land to test the faithful, you live by what you earn
There’s a hub down there at forest creek and the wheel is set to turn.

They need a science of discontent if they’re ever to understand
What happens when republicans are pressed ‘till they can’t stand
I’ll never be a fighting man but I rally to this call
Subtlety and self-control are deadly to them all

God made this land to test the faithful, you live by what you earn
There’s a hub down there at forest creek and the wheel is set to turn.

We gather fifteen thousand strong. Proud men on the flat
“Where’s our freedom and liberty?” Well, the Government saw to that
A monstrous sight, men proud and free, united in our cause
This land is only as strong as the men who keep it’s laws.

Red the night, a dusky sky; I’ve lived too short to die
The traps have guns but power flows from the look in a man’s eyes
I said this land was tinder-dry, well it burns now with our light
We will have democracy, we will stand and fight.

God made this land to test the faithful, you live by what you earn
There’s a hub down there at forest creek and the wheel is set to turn.

God made this land to test the faithful, but maybe there’s something more
There’re rebels here, and freedom too, as rich as any ore.


More In our Hearts than Gold

(Lyric & Music: Mickey Levis & Annie Morabito)

We left so much behind
Worlds away from home for mines
Dreamtimes left lying here

The holes we have left this time
Are holes left in our hearts and minds
Still you are wanting more

There’s more to this meeting than meets the eye
More in our hearts than gold
Strength in our numbers

Rights on our side
We’ll only look forward
Leave our past behind

We all have dreams we follow
Yours is no different to mine
Without ours yours won’t be fulfilled

Our future is not yours to hold
Freedom is a right of all
Together our dreams will unfold

Thirty shillings is more than enough
Any more and we can’t survive
We’ll meet at the shepherds hut at four
Show Latrobe what’s on our mind

A twig alone it may be bent or broke
Tied together we’ll all unite
At the junction of Forest and Wattle Creek
We’ll show Latrobe what’s on our mind

There’s more to this meeting than meets the eye
More in our hearts than gold
Strength in our numbers
Rights on our side
We’ll only look forward
Leave our past behind


 Father Dear

(Lyric: Frank Jones, music Frank Jones & Christie Wositzky-Jones)

Father dear, I pray this letter finds you and mother in health
And all my beloved sisters and brothers, blessings on them as well
I tell you no lie, not an hour goes by without home in my heart and tear in my eye

And every night in my dreams there I am with you.

Father dear, all the seeds I’ve sown have withered on the ground
So I find myself here in Castlemaine where fortunes daily are found
With a calico roof and a shirtless back I’ve been rocking a cradle of stones
There’s a pot of gold at this rainbow’s end, I know it to my bones.         

Father dear, I hope and pray I still own a place in your heart
I confess there are days when I rue my resolve to turn my back on your hearth
And life is harsh at this end of the world and comforts few to be found
But in the eyes of these men there’s a light that says, “To no master shall we bow”.

But Father dear, the tyrants still torment us
They mean to try to yoke us to their plough
Will we yield to tyranny and oppression?
No, not here, Father dear, not now.

Father dear, we meet upon the morrow
We will raise our flag and our voices so clear the world shall hear
Fare thee well, Father dear, pray do not fear for me
They may try to break a single twig but a bundle never yields.

Voices repeat

They may try to break a single twig, oh but a bundle shall never yield.

(Father dear, all my love to you and mother, brothers and sisters too, Your loving son.)


Gather ‘Round The Flag

(Lyric & words: Dave Maxwell & Jan ‘Yarn’ Wositzky)

Gather ‘round the flag, boys
Gather ‘round the flag
Diggers all, diggers all
Gather ‘round the flag.

We fly the shovel and the pick for our honest labour
The emu, the kangaroo, we fly for Australia
And if we stick together, boys, and say not ‘I’, say ‘Us’
We’ll weight the gold, and weigh our dreams
Upon the scales of justice.

Gather ‘round the flag, boys
Gather ‘round the flag
Diggers all, diggers all
Stand around our flag.


 Three Quid for the Privilege

(Lyric & music: Doug Owen)

Hear what we say
We’ll never pay
Three quid for a License
To work an honest day

Spread the word to the diggers
From Clunes to Ballarat
At Castlemaine and Campbell’s Creek
Call ‘em up from Winters Flat
Come join us Taffy Welshman
All you California boys
Paddy Irish, Jimmy Chinaman
Have your say and make a noise

Should we pay? (Don’t pay)
Should we ever pay? (No never)
Three quid for the privilege
Of an honest working day
Should we pay? (Don’t pay)
Should we ever pay?(No never)
Stand up, united
And as one we’ll have our way.

We search for the glitter at Forest Creek
From dawn to the evening star
And we thank God for every speck we see
We’re diggin’ for the yella stuff
For the gold that all men crave
But governments still crave it more than we.

So should we pay? (Don’t pay)
Should we ever pay? (No never)
Three quid for the privilege
Of an honest working day
Should we pay? (Don’t pay)
Should we ever pay? (No never)
Stand up, united
And as one we’ll have our way.

Let’s swear the oath of union
Beneath the Southern Cross

There’s a handful of troopers
Ten thousand of us
Man-to-man at Golden Point
Justice from the start
There’s fire in the glitter
There’s fire in the heart

So should we pay? (Don’t pay)
Should we ever pay? (No never)
Three quid for the privilege
Of an honest working day

Should we pay? (Don’t pay)
Should we ever pay? (No never)
Stand up, united
And as one we’ll have our way.

Hear what we say
Don’t ever pay
Three quid for a License
For an honest working day.


We Stand For Our Rights

(Lyric & music: Merryn Lamb)

It’s four o’clock and the gold diggings stop
Down with our shovels, our picks and the lot
Men rally in thousands around the bright flag
Depicting our union and the grievance we have

We stand for our Rights
Injustice our plight, with vigour we’ll fight
We stand for our Rights
A tax born from spite, the diggers unite.

On Forest Creek Hill under stringy bark trees
Proud voices ring out against power and greed
So listen up troopers and Gov’ner La Trobe
Step back and observe while this law’s overthrown

For we came here in droves from all over the globe
Dreaming and hoping on the promise of gold
‘Cause poor men can be rich men by the end of a day
And this ain’t no chance Latrobe will take away
And this ain’t no chance La Trobe will take away.

And the world’s turned upside down
With gold in the ground and a new life to be found
Yes the world’s turned upside down
Disturbing the wealthy, unnerving the crown
Disturbing the wealthy, unnerving the crown

We stand for our Rights
Injustice our plight, with vigour we’ll fight
We stand for our Rights
A tax born from spite, the diggers unite.


There’s a Good Time Coming

(Lyrics: Charles Mackey, traditional, with additions from Jan ‘Yarn’ Wositzky. Music: Stephen Foster, instrumental break Jan ‘Yarn’ Wositzky.)

There’s a good time a coming, a good time a coming
A good time a coming, a good time a coming.

There’s a good time a coming, a good time a coming
We may not live to see the day but earth shall glisten in the ray
Of the good time a coming
Worth, not birth, shall rule mankind and be acknowledged stronger,
And everyone will have a chance – wait a little longer.
There’s a good time a coming, a good time a coming
When a poor man’s family shall not live in misery
In the good time a coming
Every woman, every man, daily growing stronger
Soon enough will be our day – wait a little longer.

There’s a good time a coming, a good time a coming
Squatters shan’t permitted be to overrun this colony
In the good time a coming
And diggers with our rusty beards will prove who is the stronger
We’ll stand up to the Governor – wait a little longer.

There’s a good time coming, a good time coming,
Camp officials shall have sense, and try not to give offence
In the good time a coming
Magistrates too will be found with love of justice stronger,
And also know a little law – wait a little longer.

There’s a good time coming, a good time coming
Not a schicer shall be sunk, nor a digger e’er seen drunk
In the good time a coming
A comic song oft tell the truth in place of weapons stronger
But now we’re going in to win – wait a little longer.

There’s a good time a coming, a good time a coming
We may not live to see the day but earth shall glisten in the ray
Of the good time a coming
Worth, not birth, shall rule mankind and be acknowledged stronger
And everyone will have a vote – wait a little longer.

There’s a good time a coming, a good time a coming,
A good time a coming, a good time a coming.


The Quartz And The Clay

(Lyric & music: Tony Ryan)

Eighteen and Fifty-One in the year of Our Lord
Gold nugget and gemstone
In the creek and the ford
But gold is free plunder
To make rich the Queen’s men
They plunder the digger, it’s La Trobe’s regimen

In the harbour Port Phillip
Where the tall ships are moored.
Word spread like wild fire
Of a golden reward

The mountain Alexander by the forested creek
We’ll dig for our gold and be rich in a week

But La Trobe has a ransom
So the squatter may keep
Ye hard working Britons
Our labour so cheap

This open invitation it was nailed to a tree
“Come to a meeting and proclaim you are free”

There’s great strength in union
La Trobe he did see
Fie! Upon such pusillanimity!
We are Britons bound together
We are strong and we’re free
Fie upon such pusillanimity!

Fifteenth of December Eighteen and Fifty-One
‘Neath our colours we gathered.
Let the traps have their fun
The tyrant is the squatter
And I’m a free man
And I’ll buy not a License from La Trobe or his man

Many thousands we gathered
By the forested creek
To proclaim our freedom
And justice to seek.
Sent our men to Port Phillip
To tell the Queen’s man
A miner has rights and the digger a plan

In the year of our lord Eighteen and Fifty-Two
If the plunder continues
We know what we’ll do
Agitate and defy, no ransom we’ll pay
As we dig for our gold ‘neath the quartz and the clay

Who knows but a seer what the future may hold
A digger has rights and a miner is bold
Well be free of the tyrant there’ll be no traps to pay
And I pray that no blood stains the quartz and the clay

Who knows but a seer what the future may hold
A miner has rights and a digger is bold
Take arms if we have to if there’s no other way.
And I pray that no blood stains the quartz and the clay
Agitate and defy if there’s no other way
I pray that no blood stains the quartz and the clay

And I pray that no blood stains the quartz and the clay


The Monster Meeting

(Lyric & music: Frank Jones)

I gave a goodbye kiss to Molly in Melbourne town in May
Kid in a cot, kid in a cradle, ‘nother kid on the way
Said I’m off to find our fortune, love, in the hills of Castlemaine
And I’ll be back before you even know I’ve been away  

A shilling for a shovel, a shilling for a pan
If you don’t have a shilling pick the gold up with your hands
There’s plenty here to share, so, brother stake your claim
And meet me at the Monster Meeting outside Castlemaine
Meet me at the Monster Meeting outside Castlemaine

Harry was a barman, Frederick a beak
William, a policeman ‘fore he came to Forest Creek
Now we’ve, all of us, become diggers following the vein
And we’ll be at the Monster Meeting outside Castlemaine
We’ll be at the Monster Meeting outside Castlemaine

No more “Yes, Sir”, “No, Sir”, “If you please”
No more livin’ our life down on our knees
We’ll all be rich as kings and long will be our reign
See you at the Monster Meeting outside Castlemaine

Upon the Scales of Justice each man will be weighed
If the Traps are brutal bastards for cruelty they’ll pay
But there’s one who stands above them all, and La Trobe is his name
Will he be at the Monster Meeting outside Castlemaine
No, he won’t be at the Monster Meeting outside Castlemaine

No more “Yes, Sir”, “No, Sir”, “If you please”
No more livin’ our life down on our knees
We’ll all be rich as kings and long will be our reign
See you at the Monster Meeting outside Castlemaine
We’ll be at the Monster Meeting outside Castlemaine

So Molly, dearest Molly, soon I’ll be rolling home

With a nugget in each hand, ne’er more to roam

Yes I’m achin’ love to see you, but before I quit my claim

I’ll be at the Monster Meeting outside Castlemaine

We’ll all be at the Monster Meeting outside Castlemaine.

THE MONSTER MEETING BAND

Jan ‘Yarn’ Wositzky – 5-string banjo, harmonica, vocals

Jan is a storyteller and musician who plays 5-string banjo, bodhran and spoons. He was the director of the 2010 Monster Meeting Song Award and the resulting Monster Meeting concert and double CD. He was a founder of The Bushwackers Band.

Nicolas Lyon  – acoustic & electric bass, viola, violin, cello, harmonium, accordion

Nicolas plays double and electric bass, violin, viola, cello, harp, piano and guitar. Born in Lancashire in 1948, Nicolas came to Australia in 1961 to make a lifetime of music: in theatre with John Paul Bell, on radio with Peter Sculthorpe, and on stage with many folk artists such as Margaret Roadknight and Robyn Archer. He was Master of Music at Sydney’s Yellow House, working there with Brett Whitely and Martin Sharp. Nicolas also has many credits in film, composition and residencies, ranging from folk, jazz, middle Eastern, baroque, classical and electronic music – in fact far too much to mention here, but go to www.nicolaslyon.com for a great read and listen. Nowadays Nicolas lives in Malmsbury, not far from the site of the Monster Meeting.

James Rigby – mandolin, bouzouki, tenor banjo, acoustic guitar

James is a well-respected community musician, singer, choir leader, and multi-instrumentalist, who has a passionate belief in the power of music to communicate and reflect contemporary issues. Based in Castlemaine, his career began playing bush dances. He has performed in a number of bands, including Blackwood, the Ugly Uncles, The Rainmakers and the Tequila Mockingbirds. These bands are a regular hit at festivals and concerts all around Australia, where James also gives workshops on guitar, mandolin, ukulele, violin, harmonica and singing. James is also is a leading music maker in community music projects throughout Victoria, working with choirs, instrumental groups and orchestras. In these settings his infectious passion and enthusiasm brings the experience of making music to people of all ages.

Ashley Davies – drums

Ashley is regarded as one of Australia’s most innovative and finest drummer/songwriters. As a drummer who can adapt to many styles of music, Ashley has recorded, toured, and played live with many great Australian acts, including Matt Walker, Jeff Lang, Lisa Miller, The Waifs, The Blackeyed Susans, Chris Wilson and The Crown of Thorns and The Backsliders. As a composer, his music has featured in Australian films such as Somersault, and Australian Rules and the television series The Silence. In theatre, Ashley’s CD/show of Ned Kelly, which he produced with noted historian Ian Jones, won the 2001 Best Australian Debut CD in Rhythms Magazine Reader’s Poll. His latest project is a musical journey following the path of Burke and Wills.

Tim Heath – electric & acoustic guitars, accordion

Tim has played music around Castlemaine for most of his life. In high school he played in local bands – notably Smokers Run Faster – then moved to Melbourne where he joined The Basics. With them he travelled most of Australia several times, playing at major festivals (Homebake, East Coast Blues and Roots, Laneway, Woodford, etc.), capital cities and tiny outback pubs. They toured twice to Europe and Japan. Tim has performed with Jan Wositzsky for over ten years, in music and theatre, where Tim played Ginger Mick in the Turkish-Australian theatre piece Lest We Forget. More recently Tim formed Blood Red Bird, a Mediterranean-influenced instrumental rock band, who played with Tex Perkins’ Dark Horses and Dirty Three. They often collaborated with Angie Hart (Frente, Splendid) including on a studio release. Since 2016 Tim owns and operates the Theatre Royal Castlemaine with his wife Felicity Cripps.

CD CREDITS

The Diggers Chorus: Danny Spooner, Danny Lewis, Martin McKenna, Doug Owen, Charles Affleck, Sandy Harman, Linda Brown, Kate Melzer, Jane Thompson, James Rigby, Rose Lavery & Gordon Bannon.

Vocal arrangements: James Rigby & Jane Thompson
Harmonies: Jane Thompson, James Rigby, Danny Spooner

Tim Heath: electric & acoustic guitars, accordion
Ashley Davies: drums
James Rigby: mandolin, bouzouki, tenor banjo, acoustic guitar
Nicolas Lyon: acoustic & electric bass, viola, violin, cello, harmonium, accordion
Jan ‘Yarn’ Wositzky: 5-string banjo, harmonica, vocals

Package design: Geoff Hocking
Photography: John Ellis
Supported by the Australian Government.

A flurry of activity began in 2010. The Monster Meeting Song Award was to be a competition for the best songs about or based on the Monster Meeting of Diggers at Forest Creek (Chewton) on 15 December 1851. Prizes on offer were $1,000, $500 and $250, and entries could be in any musical style whatsoever. Anyone could enter but had to commit to being available to perform the song at the Theatre Royal in Castlemaine at a Concert of Finalists. 

Sponsors were sought and Parks Victoria undertook to fund the prizes. They were followed by the Chewton Domain Society and the Chewton Chat, ABC Central Vic, Castlemaine Theatre Royal, Mount Alexander Shire, Maldon and District Community Bank, the Community Newspaper Association of Victoria (CNAV), Castlemaine Goldfields Ltd, the Lions Club of Castlemaine, the Rotary Club of Castlemaine, Dale’s Discount, Burke’s Music, InstrAmental Music Centre, Forest Creek Nursery, Stoneman’s Bookroom, WMAfm, the Red Hill Hotel and Appletown Party Hire. Geoff Hocking donated his design talents and prepared flyers during the process, and Greengraphics undertook to create a website before the launch on July 15.  

Graphics by Geoff Hocking

Song Award rules were drafted, judges and a patron sought and a six month timetable prepared, beginning with a July 15 launch at the Red Hill Hotel.

  • July 15.  Launch at the Red Hill Hotel and www.monstermeeting.net established
  • October 15 – November 15. Competition entries close Short-listing of 12 completed
  • December 12.  Concert of Finalists at the Theatre Royal
  • December 15.  Monster Meeting celebration on-site to include the winning songs

The search for judges began immediately and we were able to gain the services of well known local musical identities Charles Affleck and David Thrussel to work with Jan Wositzky on a three person panel. There was much elation when well known singer-songwriter Shane Howard (Goanna Band, Solid Rock and much more) agreed to be patron and appear at the Concert of Finalists in that role. 

The launch took place at Chewton’s historic 1854 Red Hill Hotel. ABC CentralVictoria’s Jonathan Ridnell was MC, archaeologist David Bannear spoke and two Chewton Primary School children appeared on stage with Jan Wositzky in a performance taken from his production “Gold in the Heart”. David Bannear was introduced as someone who knows “a heck of a lot about the Monster Meeting,” and therefore the person to inspire us as to what the songs could be about. David painted a word picture of the early 1850s. Victoria had just been declared a state, and about 25,000 of its 70,000 inhabitants were in Melbourne. Rural activity mostly involved sheep. Then gold was discovered. The proposed doubling of the licence fee to 60 shillings a month was a trigger for action. David pointed out that there was a lot at stake for the government as well as for the gold diggers, who were fighting for their very existence. He suggested song-writers shouldn’t ignore the thing humans crave the most –  the concept of possibility. The launch was videoed and a clip prepared and placed on You Tube.

WATCH LAUNCH >

38 entries were received and the titles indicate the diversity of approaches taken:

  • Three Quid for the Privilege – Doug Owen 
  • Thirty Shillings a Month – Martin McKenna
  • Our Road to Democracy – Colin Fraser 
  • Come Men of All Nations – John Caldwell
  • The Cards That Fell – Jamie Roberts 
  • More In Our Hearts Than Gold – Mickey Levis & Annie Morabito 
  • The Ballad of Forest Creek – Patrick Killeen 
  • The Irish in this Man – Geoffrey O’Connell
  • Golden Days – Rod Hadfield
  • Fool’s Gold – Pete Kenyon 
  • Stand Behind The Flag – Dave Maxwell & Lee Hunter
  • Meet, Agitate and be Unanimous – Neville Cooper
  • The Quartz and the Clay – Tony Ryan
  • A Letter to Mary Kevin Davis
  • Three Quid a Month – Kevin Davis
  • Forest Creek Lament – Martin McKenna
  • Monster Meeting Song (Birth of Democracy) – Edward Nass
  • Eighteen Fifty-One – Rod Willaton 
  • The Jilted Miner – Rod Hatfield
  • The Diggers Proclaim – Ben Karmay
  • Something Good – Anthony (Loz) Lawrey
  • Red Ribbon Rebels – Raymond Crooke
  • The Basic Things of Life – Rod Hadfield
  • Scratch’n For Gold – Shani Fitzgerald
  • The Kings of the Mullock Heap – Andrew “Ange” Lawson
  • Our Rights Democratic – Bill McAuley 
  • Let it be seen this day – Stuart Manderson
  • Mr. Miner – Bianca Lee Benson
  • The Curse of Forest Creek – Rod Hadfield
  • Letter to Bessie – Daniel Keohan 
  • We are Starting Something Here – Richard Lewis 
  • We Stand for Our Rights – Merryn Lamb
  • Fellow Diggers Side by Side – Graham Dadsworth
  • Me and the Boys – Kimberley Clemens 
  • Father Dear – Frank Jones & Christy Wositzky-Jones 
  • A Digger – Jane Daniher
  • Let the Diggers’ Flag Fly – Steve Montgomery
  • The Monster Meeting – Frank Jones

A very impressive body of work! And possibly the largest body of goldfields songs since songster Charles Thatcher wrote so prolifically in the 1800s. It was a very moving collection of songs, expressing a lot of sentiment about the Diggers’ Monster Meeting of 1851. It was obvious there was a very high standard of song-writing throughout and that the judges faced an unenviable task short-listing to twelve finalists. And they didn’t! Because of the quality of the entries received fourteen were actually shortlisted. They were:

  • Doug Owen – Three Quid for the Privilege
  • Martin McKenna – Thirty Shillings a Month
  • Colin Fraser – Our Road to Democracy
  • Jamie Roberts – The Cards That Fell
  • Mickey Levis & Annie Morabito – More In Our Hearts Than Gold
  • Patrick Killeen – The Ballad of Forest Creek
  • Pete Kenyon – Fool’s Gold
  • Dave Maxwell – Stand Behind the Flag
  • Rod Willaton – Eighteen Fifty-One
  • Bill McAuley – Our Rights Democratic
  • Daniel Keohan – Letter to Bessie
  • Richard Lewis – We are Starting Something Here
  • Kimberley Clemens – Me and the Boys
  • Frank Jones & Christy Wositzky-Jones – Father Dear

The shortlisted songs ranged from rock and roll to country, electronic music, folk and contemporary ballads. Thus the scene was set for the eagerly anticipated concert. As with the launch, the MC was ABC Central Victoria’s Jonathan Ridnell who supported this Song Award for the whole journey. 

Graphics by Geoff Hocking

More than 200 filled the Theatre Royal that night. From Bannit’s explosive opening performance of Bill McAuley’s Our Rights Democratic through to Rod Willaton’s Eighteen Fifty One performed by Crosswind, the range of songs entertained the crowd. 

The diversity of musical styles and approaches that have developed from a single starting point was amazing,” said Jan Wositzky, one of the judges. “The challenge was to write the best song about, or based upon, the 1851 Monster Meeting of diggers at Forest Creek. The resulting diversity and concert showcased many, many talented songwriters and musicians.”

In his role as patron of the Award noted singer-songwriter Shane Howard performed several of his compositions. Shane’s great-grandfather was arrested at the Eureka Stockade, and he outlined that part of his family history. He also spoke of the challenges of writing historical songs, and offered words of praise and encouragement to the performers who had presented such a wonderful concert. 

At the end of any competition there has to be a winner. The $1,000 Monster Meeting Song Award first prize was taken out by Martin McKenna with his song Thirty Shillings a Month prompting the headline “Thirty Shillings a Month” turns into $1,000 overnight!  Martin was obviously thrilled with his win. He is a full time farmer and occasional song writer with an interest in the colonial history of Australia. He sometimes sings, usually unaccompanied, at a monthly session at the Trentham Hotel. His great grandfather arrived from Kilkenny, Ireland in the colony of Victoria in September 1854 and headed for the diggings, including Forest Creek, before settling in Kyneton where he had a brewing and malting business. When the land acts were passed in the 1860s he took up land in the Baynton district, where Martin and his wife Christine still live and farm.

Second prize went to Northcote’s Frank Jones and Christy Wositzky-Jones for Father Dear, and third prize to Eaglehawk’s Jamie Roberts for The Cards that Fell. 

In presenting the winners with their cheques, Kate Millar from Parks Victoria congratulated not only the prize winners, but all the entrants. The Monster Meeting Song Award gave us a memorable night, one where history was well and truly made! 

And then 13 of the songs became the Monster Meeting CD, launched in 14 December 2012 by Former Governor of Victoria, John Landy, at a Gala Concert in the Theatre Royal Castlemaine. 

MT ALEXANDER DIGGERS SONG 

THE MONSTER MEETING AT FOREST CREEK,
DECEMBER 15, 1851

THE CONCEPTION

On Forest Creek 12,000 came in 1851
Conceived a justice, spawned a cause, a freedom to be won.
A flag was raised, the justice scales an ensign of their cause
A twig may break – a bundle strong, they called for better laws.

Insidious the licence forced, the principle unjust,
The cry of “Joe” would herald in the hunt to serve a lust.
Whilst then oppression ruled the day, a diggers voice did cry –
“Be steady to your purpose boys but keep your powder dry”.
“If noonies come their guns to hold oppression for their keep,
Then put them in your cradles boys and rock them off to sleep”.

Three years from that conception, a gestation wild yet slow,
A pregnancy of turmoil on the streets of Bendigo.
A bloody battle fought December 1854,
A battle lost – a battle won now in Australian lore.
For fate would draw a victory from the jaws of bitter death,
For 24 so brave and bold the fruits of their last breath.

Until this day “Eureka” speaks of courage in a cause,
Of truth in a democracy, of justice in our laws.
Foundations for a constitution irony would eke,
From breeched birth at Eureka, the conception Forest Creek.

Howard Penberthy, “Rose Cottage”, Taradale.
Copyright November 2001